
28/08/2003
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1 New Marble, 2 New Stones and 2 New Granites have been added to the Geologica The New Stones range, which already includes over 100 New Stones in Technical Ceramics by GranitiFiandre; new floor and wall tiling materials, which have opened up new horizons in the field of Architecture and in the research and technology of materials.
These materials are the concrete expression of the technological progress made in the production of New Stones in technical Ceramics: New Marmi, New Granite and New Stone, the three collections, respectively inspired by Quarry, Marbles, Granites and Stones belong to the exclusive Geologica range, which since its launch onto the market, has had a clearly defined and obvious role in harmony with all the other products offered by GranitiFiandre S.p.A.
The New Stones in Technical Ceramics are as natural as those extracted from a quarry, but with much improved performance. They share the same characteristics as traditional floor and wall tiling materials, surface hardness, resistance to atmospheric agents and mechanical resistance, but their added advantages of being larger size, thinner and lighter have led to their use widely replacing quarry products.
The tiles of New Stones are produced using a sophisticated manufacturing process that inserts the veining and colours of quarry stones throughout the entire thickness of the tile (full-body), to obtain a product - the new technical ceramics - whose overall texture and appearance are homologous to the quarry product.
Consequently, GranitiFiandre new stones in technical ceramics can boast performance much better than quarry stones. In particular, they possess higher durability over time, higher resistance to deep abrasion, total frost resistance, higher resistance to acids and are easy to clean and stain proof.
With respect to quarry products, the new stones in technical ceramics produced using GranitiFiandre technology:
GranitiFiandre will attend the Fuorisalone Milan Design Week with an exceptional partner: the French architect Odile Decq revisits with Maximum an iconic form of architecture [...]